The Ohio Artist Registry (OAR) is an exciting opportunity for artists to share their work, connect with the creative community, and establish an online presence—all on a free, virtual platform! The OAR encourages artists working in all art forms, throughout Ohio and beyond,  to create a profile, which allows them to better promote themselves and their work. Being listed in the OAR provides artists with new opportunities to share their work with clients, galleries, patrons, and audiences. A listing in the OAR does not confer an endorsement, approval, or verification by the Ohio Arts Council.
For more information, contact Kathy Signorino, artist programs director, at kathy.signorino@oac.ohio.gov or 614-728-6140.

Sarah Brashears

Artist, art teacher
Home 4716 Bokay Drive 30 4716 Bokay Drive County: Montgomery
Dayton Ohio 45440 United States
Home 4716 Bokay Dr, 30 County: OH
Kettering Ohio 45440 United States
Website: http://www.sarahbrashears.com

Bio

I have this uncomfortable obsession with the hidden unknown past of everyday objects. My closest childhood friend had difficulty spending time at my house because of my parents’ antiques collection. She didn’t like the idea that the objects in my home had belonged to, lived with, died with, other people. I, on the other hand, am fascinated with that idea. As a young adult I scavenged New England beaches in the windy winter looking for treasures washed up and stuck in rock bowls. I started collecting all these bits and, now twenty plus years later, use these treasures in my found object jewelry. The winter sun setting early on these rocks, casting her dark shadow and hiding my sea treasures, connects me to the dark, unknown, shadows of an old house, an old home.  I am consumed by the beauty of shadows and lights in hallways and stairwells. My great-grandmother Millie had the absolute prime basement nooks and crannies to nudge my love of this subject matter. To this day I photograph closets and foyers and basements and attics wherever I go. I recently found myself, quite accidentally I assure you, locked in a very old stairwell with no escape. Honestly, it was thrilling. I felt like the stairwell was writing me into its memoir. Old wallpaper is an aching love; think what that wallpaper has seen and touched! As a teenager I read “The Yellow Wallpaper” by Charlotte Perkins Gilman. Incorporating the generations of women in my bloodline, I have used the visual imagery of that short story in my work for years. The Russian folktale, “Bluebeard’s Egg,” has additionally been a constant element in my art for decades. I also very much appreciate paper engineering and children’s illustration. As the mother of a young reader, the teacher of hundreds of previously young readers, and a lover of reading in general, my passion for book illustrations is excessive. I connect many of my jewelry art pieces with the previously mentioned obsessions. I look to found/discarded objects for the base of my jewelry. Spoons, forks, and lockets often fit the bill. I look to authors and artists as inspiration for themes. I seem to fall back to my childhood hunting pastimes at the winter beaches for whimsical additions. Do you have a shadow-filled passageway to share or a wooden bin of old, discarded junk? Thanks; I’ll be right over.     

Artist Statement

I’ve had reason to dwell on the jolting subjects of truths and rumors, whispers and lies. Much of this stems from personal happenings, some from the political atmosphere, and a portion from my own deep anxieties about the things I can’t control.

Creating a series required a set of complicated, constructed steps. If you know me, this doesn’t surprise you. I first searched out vintage photographs discarded in junk shops or thrift stores. The photos I chose had to be unmarked and needed to whisper to me when I held them in my hand. I then created a story, a rumor of sorts, based on the photographed person or their unseen, unknown family. Sometimes the picture would make me think of a historical figure. Portions of that famous person’s life might be then incorporated into the tale and piece. 

Because these pictures were discarded, it is unlikely that we will ever know the actual stories of these people, nor the weight these humans carried. In my head, the photographed women had baggage. It seems probable; all humans do.

I gave them each literal baggage, a suitcase with precious items inside which give clues to the rumor I created for them.

I hope that the women remind you of vintage paper dolls. These flat females are grouped in pairs. You, the viewer, are to think of these pieces as women whispering to each other. 

These women are releasing rumors, invisible but hanging heavy in our crowded headspace.

Sarah Brashears (she/her) is an artist, art teacher, mother, daughter, friend, and mostly confused human being. Her work apparently traces to an old, awkward, and uncomfortable obsession with the hidden past of everyday objects. Folklore, rumors, patterns, stories, and birds are consistently welcome visitors. She works in found object sculpture, acrylic painting, and mixed media illustration. As a teacher, Sarah has taught photography, journaling, theater, public speaking, art education, history of American craft, visual culture, and painting to every grade level, from preK through college seniors and adults. 

 

Commissions gladly accepted: SarahBrashears@gmail.com