Still from Cities of Inextricable Velocities
Matsumoto’s work reflects the morphological transformations of our ever-evolving urban and ecological milieus, which could be attributed to a multitude of spatio-temporal phenomena influenced by social, economic and cultural assemblages. They are created as visual commentaries on speculative changes in notions of societies, cultures and ecosystems in the transient nature of constantly shifting topography and geology.
There is a common thread with regard to visual abstraction in his artworks: the multiplicity of hybrid objects that unfold within their own spatiotemporal coordinates of phase space and are transcribed to an image plane. In that regard, his creative process of drawing henceforth can be defined as the swirls of virtual intensities that are reconfigured as the cartography of spatiotemporal reality.
The artwork explores the hybrid combining the algorithmic matrices of transition probabilities and photogrammetry.
Furthermore, the varying scale, the juxtaposition of biomorphic forms, intertwined textures, oblique projections and visual metamorphoses are employed as the multi-layered drawing methodologies to question and investigate the ubiquitous nature of urban meta-morphology, emerging realities of control society, and their visual representation in the context of non-Euclidean configuration. The application of these techniques allows the work to transcend the boundaries between analog and digital media as well as between two- and multi-dimensional domains.
Matsumoto’s process-oriented compositional techniques imbue the work with what we see as the very essence of our socio-cultural environments beyond the conventional protocols of architectural and artistic formalities.
His creative approach conjures up the synthetic possibilities of spatial semiotics that emerge as the potential products of alchemical procedures.
The Solar Flares for Transient Modulation
Matsumoto’s work reflects the morphological transformations of our ever-evolving urban and ecological milieus, which could be attributed to a multitude of spatio-temporal phenomena influenced by social, economic and cultural assemblages. They are created as visual commentaries on speculative changes in notions of societies, cultures and ecosystems in the transient nature of constantly shifting topography and geology.
There is a common thread with regard to visual abstraction in his artworks: the multiplicity of hybrid objects that unfold within their own spatiotemporal coordinates of phase space and are transcribed to an image plane. In that regard, his creative process of drawing henceforth can be defined as the swirls of virtual intensities that are reconfigured as the cartography of spatiotemporal reality.
The artwork explores the hybrid combining the algorithmic matrices of transition probabilities and photogrammetry.
Furthermore, the varying scale, the juxtaposition of biomorphic forms, intertwined textures, oblique projections and visual metamorphoses are employed as the multi-layered drawing methodologies to question and investigate the ubiquitous nature of urban meta-morphology, emerging realities of control society, and their visual representation in the context of non-Euclidean configuration. The application of these techniques allows the work to transcend the boundaries between analog and digital media as well as between two- and multi-dimensional domains.
Matsumoto’s process-oriented compositional techniques imbue the work with what we see as the very essence of our socio-cultural environments beyond the conventional protocols of architectural and artistic formalities.
His creative approach conjures up the synthetic possibilities of spatial semiotics that emerge as the potential products of alchemical procedures.
Rapid Gaze Polynomials Embedded in Infinite Variables
Matsumoto’s work reflects the morphological transformations of our ever-evolving urban and ecological milieus, which could be attributed to a multitude of spatio-temporal phenomena influenced by social, economic and cultural assemblages. They are created as visual commentaries on speculative changes in notions of societies, cultures and ecosystems in the transient nature of constantly shifting topography and geology.
There is a common thread with regard to visual abstraction in his artworks: the multiplicity of hybrid objects that unfold within their own spatiotemporal coordinates of phase space and are transcribed to an image plane. In that regard, his creative process of drawing henceforth can be defined as the swirls of virtual intensities that are reconfigured as the cartography of spatiotemporal reality.
The artwork explores the hybrid combining the algorithmic matrices of transition probabilities and photogrammetry.
Furthermore, the varying scale, the juxtaposition of biomorphic forms, intertwined textures, oblique projections and visual metamorphoses are employed as the multi-layered drawing methodologies to question and investigate the ubiquitous nature of urban meta-morphology, emerging realities of control society, and their visual representation in the context of non-Euclidean configuration. The application of these techniques allows the work to transcend the boundaries between analog and digital media as well as between two- and multi-dimensional domains.
Matsumoto’s process-oriented compositional techniques imbue the work with what we see as the very essence of our socio-cultural environments beyond the conventional protocols of architectural and artistic formalities.
His creative approach conjures up the synthetic possibilities of spatial semiotics that emerge as the potential products of alchemical procedures.
03/04/2024