John Benvenuto

posted in: Visual Art | 0

When Architecture Draws Itself #4

120 x 72 x 30″ 2018 Rammed earth walls, sisal, wood, steel, live grass, peat moss, concrete dye. $3000

Rhizome: An Opened Mind #4

85 x 112 x 96″ 2018 Rammed earth walls, sisal, soil, peat moss, dyed cloth, plastic cord, wood, LED light strip, plastic netbags, acrylic paint. $3000

Rhizome: An Opened Mind #6

106 x 128 x 132″ 2020 Rammed earth walls, sisal, polycarbonate sheets, plastic cord, peat moss, live plants. $3000

The Cajal Correspondance, First

17.5 x 13 x .75″ 2018 oil stick, pen-and-ink, acrylic paint on plywood panels. $250

The Understory #3

20x x24 x 3″ 2018 textured steel wire, oil stick, pen-and-ink, cloth, peat moss, copper sheet. $400

The Understory #4

25.5 x 31 x 6″ 2020 Copper sheet worked and patinated, pen-and-ink, paper mache, cloth, wood, sisal. $475

The Understory #6

26 x 24 x 4″ 2020 Reed, pen-and-ink, double-walled corrugated cardboard, sisal, acrylic modeling paste, graphite stick, handmade paper, acrylic paint. $500

The Understory #7

20 x 24 x 3″ 2021 double-walled corrugated cardboard, acrylic modeling paste, oil stick, reed, sisal, plastic netbags, peat moss, graphite powder. $500

The Cajal Correspondence, Fourth

22.5 x 28.5 x 5″ 2020 pen-and-ink on paper, acrylic medium, graphite powder, oil stick, sketchpad pages. NFS

The Cajal Correspondence, Fifth

32 x 50 x 7″ rammed-earth wall, pen-and-ink on paper and rag board, reed, acrylic modeling paste, peat moss, sisal, handmade paper, reed, thread, cloth, wood, aluminum. $800

04/08/2021