The Ohio Artist Registry (OAR) is an exciting opportunity for artists to share their work, connect with the creative community, and establish an online presence—all on a free, virtual platform! The OAR encourages artists working in all art forms, throughout Ohio and beyond, to create a profile, which allows them to better promote themselves and their work. Being listed in the OAR provides artists with new opportunities to share their work with clients, galleries, patrons, and audiences. For more information, contact Kathy Signorino, artist programs director, at firstname.lastname@example.org or 614-728-6140.
Wakman Ohio 44889 United Stateshome Home Phone: 440 965 7114home Birthday: January 28, 1948
My practice is simple: Go to the studio daily. Work. Have several works-in-progress all the time. Work in series & sets so the thinking pushes itself forward. Foster the exercise of multiples, allowing the muscular movement of my hands to create both similarities & eccentricities. Walk in the woods, find a place to sit, listen & see when you get tired. Always have a set of objects in progress that require simple, clean handwork for the evenings in homage of the women’s work of our cultural history.
I have received OAC Individual Artist Fellowships. Three for the HOLDING STONES SERIES and a third for the PIECEWORK SERIES that I have recently revived. I work is represented in several museums, including the Dayton Art Institute, private & corporate collections and the online gallery of collexart.com.
I am an object maker. For the last 29 years my major body of work has been the HOLDING STONES SERIES. It’s a vital collection born of a brainstorming exercise: How can I hold a stone or stones? There are only three simple materials. One, wood; lumber that can be cut, abraded, smoothed, joined. The second, found natural or fabricated stones. Occasionally I use natural sisal with basic handwork binding techniques. The objects serve as a metaphor for the human condition and the natural world, but I’m not preaching.
Granted the objects in the series have function- insignificant as it is. But it isn’t the common or implied cultural utility from my background in pottery and art furniture.