The Ohio Artist Registry (OAR) is an exciting opportunity for artists to share their work, connect with the creative community, and establish an online presence—all on a free, virtual platform! The OAR encourages artists working in all art forms, throughout Ohio and beyond, to create a profile, which allows them to better promote themselves and their work. Being listed in the OAR provides artists with new opportunities to share their work with clients, galleries, patrons, and audiences. A listing in the OAR does not confer an endorsement, approval, or verification by the Ohio Arts Council.
For more information, contact Kathy Signorino, artist programs director, at firstname.lastname@example.org or 614-728-6140.
Wakman Ohio 44889 United Stateshome Home Phone: 440 965 7114home Birthday: January 28, 1948
My practice is simple: Go to the studio daily. Work. Have several works-in-progress all the time. Work in series & sets so the thinking pushes itself forward. Foster the exercise of multiples, allowing the muscular movement of my hands to create both similarities & eccentricities. Walk in the woods, find a place to sit, listen & see when you get tired. Always have a set of objects in progress that require simple, clean handwork for the evenings in homage of the women’s work of our cultural history.
I have received OAC Individual Artist Fellowships. Three for the HOLDING STONES SERIES and a third for the PIECEWORK SERIES that I have recently revived. I work is represented in several museums, including the Dayton Art Institute, private & corporate collections and the online gallery of collexart.com.
I am an object maker. For the last 29 years my major body of work has been the HOLDING STONES SERIES. It’s a vital collection born of a brainstorming exercise: How can I hold a stone or stones? There are only three simple materials. One, wood; lumber that can be cut, abraded, smoothed, joined. The second, found natural or fabricated stones. Occasionally I use natural sisal with basic handwork binding techniques. The objects serve as a metaphor for the human condition and the natural world, but I’m not preaching.
Granted the objects in the series have function- insignificant as it is. But it isn’t the common or implied cultural utility from my background in pottery and art furniture.