The Ohio Artist Registry (OAR) is an exciting opportunity for artists to share their work, connect with the creative community, and establish an online presence—all on a free, virtual platform! The OAR encourages artists working in all art forms, throughout Ohio and beyond, to create a profile, which allows them to better promote themselves and their work. Being listed in the OAR provides artists with new opportunities to share their work with clients, galleries, patrons, and audiences. A listing in the OAR does not confer an endorsement, approval, or verification by the Ohio Arts Council.
For more information, contact Kathy Signorino, artist programs director, at kathy.signorino@oac.ohio.gov or 614-728-6140.
2024 Ohio Artist Registry Juried Exhibition
Kelsey Smith
Kelsey Anilee SmithBio
Kelsey Anilee Smith stitches her way through the wildflowers that live where she lives. She grew up in Geauga County, Ohio and now lives a little further south in Reminderville. The forests and fields have called to her from a young age, and she spent much of her youth wandering the wild places of Northeast Ohio. Though she has been creating art for as long as she can remember, she has more recently connected her artistic skills with her long-time love of native plants and the heirloom vegetables harvested in her garden. Kelsey’s background in museums brings a love of history that inspires her use of vintage pieces and traditional sewing methods in unusual ways. She uses techniques like sashiko, embroidery, and needle-turn applique to create tapestries that incorporate linen, cotton, wool, silk, and vintage textiles. Originally a painter, she still paints, and loves to work with gouache and inks, even by adding these paints to the textile pieces before stitching them into place.
Artist Statement
Our past is complex, but Kelsey’s melding of old and new, of man-made patterns with the images of the natural world asks us to ponder how these things might be redeemed together. Perhaps our built places, rather than being condemned or demonized, might be made better if we let the wild things break through in places. When looking at Kelsey’s pieces you will see flowers bursting from quilt squares, or shadows of stems layering over antique coverlet pieces, reminding us that the complex layers of our past, when you step back, might become beautiful after all.