The Ohio Artist Registry (OAR) is an exciting opportunity for artists to share their work, connect with the creative community, and establish an online presence—all on a free, virtual platform! The OAR encourages artists working in all art forms, throughout Ohio and beyond, to create a profile, which allows them to better promote themselves and their work. Being listed in the OAR provides artists with new opportunities to share their work with clients, galleries, patrons, and audiences. For more information, contact Kathy Signorino, artist programs director, at firstname.lastname@example.org or 614-728-6140.
Carolyn MazloomiFiber Artist Women of Color Quilters Network
West Chester OH 45069 United Stateshome Home Phone: 513.755.3414home
Carolyn L. Mazloomi is an artist, author, historian, and curator acknowledged as being among the most influential African American quilt historians in the United States. Widely exhibited in the United States and internationally, her quilts have been included in five exhibitions at the Smithsonian’s Renwick Gallery. Her artwork can be found in numerous important museums and corporate collections, such as the Wadsworth Museum, the Smithsonian American Art Museum, Fine Arts Museum Boston, American Museum of Design, Bell Telephone, the Cleveland Clinic, and Exxon. She has appeared on television shows such as CBS Morning Show, Reading Rainbow, The Today Show, CNN, and has been the subject of several film documentaries. Dr. Mazloomi is one of six artist commissioned to create artwork for the National Underground Railroad Freedom Center Museum.
In 1985 she founded the Women of Color Quilters Network, an international organization with a membership of 1700, which has been a major force in fostering the fiberart works of African American people. Through Dr. Mazloomi’s effort WCQN members have had their quilts presented in venues such as prominent museums and galleries, and in internationally traveled exhibitions. She is a frequent consultant for art exhibitions, authors, and historians.
Beijing, China was the setting for an international quilt exhibition curated by Dr. Mazloomi as part of the United Nations Conference for Women held in 1995. This exhibition resulted in the publication of the book Star Quilts (Streelekha Press, Bangalore, India) which she co-edited. She is also author of the book Spirits of the Cloth (Random House) given the “Best Non-Fiction Book of the Year” award by the American Library Association. Her books and exhibition tours include, Threads of Faith, Textural Rhythms: Quilting the Jazz Tradition (2007) and Quilting African American Women’s History Our Challenges, Creativity and Champions (2008), The Journey of Hope in America: Quilts Celebrating President Barack Obama (2009) and Quilting a Culture: African American Quilters of Ohio (2011), And Still We Rise: Race, Cultural and Visual Conversations (2014), Conscience of the Human Spirit: The Life of Nelson Mandela (2014) and Visioning Human Rights in the New Millennium: Quilting the World’s Conscience (2018), Yours For Race and Country: Reflections on the Life of Colonel Charles Young (2019), We Who Believe in Freedom (2020), and Racism: In the Face of Hate We Resist (2020).
In 2003, Mazloomi was awarded the first Ohio Heritage Fellowship Award. Ohio Heritage Fellows are among the state’s living cultural treasures. Fellows embody the highest level of artistic achievement in their work, and the highest level of service in the teaching and other work they do in their communities to ensure that their artistic traditions stay strong.
In 2014, Carolyn Mazloomi was given the National Endowment for the Arts National Heritage Award, the highest award in the nation for traditional art. She was also inducted into the Quilters Hall of Fame Museum the same year.
Mazloomi has been involved in the economic development of women through the arts for over thirty years, and has been recognized by the International Labour Department in Geneva and the United Nations for her efforts.
The visual and metaphorical links between textiles and human beings are fertile ground for narrative quilts as statement. Every human being in the world has a “cradle to grave” relationship with textiles. Quilts articulate a powerful language of familiarity through which they may speak to and about our experience as human beings. I am drawn to vulnerable people – the disenfranchised, dispossessed, outsiders. The injustice and harsh realities of the daily lives of those in need motivate me to create artwork depicting their circumstances. These are people who deserved to be heard, seen and understood, especially women and children. My intention is to invite the viewer into contemplation and raise awareness concerning issues they may be unfamiliar with.