The Ohio Artist Registry (OAR) is an exciting opportunity for artists to share their work, connect with the creative community, and establish an online presence—all on a free, virtual platform! The OAR encourages artists working in all art forms, throughout Ohio and beyond, to create a profile, which allows them to better promote themselves and their work. Being listed in the OAR provides artists with new opportunities to share their work with clients, galleries, patrons, and audiences. For more information, contact Kathy Signorino, artist programs director, at firstname.lastname@example.org or 614-728-6140.
Alice Pixley Young is a multimedia installation artist born and raised in Washington DC. Her work examines the interrelationship of landscape, environment and technology. Young has exhibited her work nationally and internationally, including Crystal Bridges Museum of American Art, Bentonville, KY; AIR Gallery, Brooklyn, NY; The Print Studio, London, UK; 21c Museums; Governors Island Art Fair, NY; Elizabeth Foundation for the Arts, New York, NY; UICA, Grand Rapids, MI; Taft Museum of Art, Cincinnati, OH; Currents International New Media Festival, Santa Fe, NM and most recently at Poliglota Gallery at Proyecto’ace in Buenos Aires, Argentina. She has been awarded residencies at Jentel, Banner, WY; Ragdale, Lake Forest, IL; Virginia Center for Creative Arts, Amherst, VA, and Hambidge, Rabun Gap, GA where she was awarded an NEA New Artist Initiative grant. Young has been the recipient of the Award for Artistic Excellence from the Ohio Arts Council; twice awarded artist’s grants from AIA Summerfair Cincinnati, OH; as well as a SURDNA Arts and Teaching fellowship, New York City, NY. She won Best in Show at InLight Virginia at the Virginia Museum of Fine Arts/1708 Gallery in 2015. She is a member of A.I.R. Gallery in Brooklyn, NY and lives and teaches in Cincinnati, OH.
The disruption of climate change, man-made disasters, and the evolution of technology on our (and as our) landscape has been the driving force of my creative research for several years. Citing art historical roots from the Hudson River School to Land Arts, I examine the interrelationship of landscape, environment, and technology. Primarily working with multimedia installation, I use video and light projected through glass objects and kinetic sculptures to create immersive, moving shadow-drawings. Activated/implicated by the viewer’s own shadows, the ‘shadow drawings’ distort and amplify scale and space and distill a sense of the transient. These juxtapositions raise questions of history, labor and technology as well as the environment in which they exist.